#he shits himself

[ofswordsandpens]

I can't remember how much of this is implied canon or my own interpretation, but I fully believed that Chiron recognized Percy was a son of Poseidon from the fountain incident with Nancy Bobofit, knew that a child of the Big Three being claimed would be a total shit show, and simply chose not to say a word about it

[bwaindamegd]

just a captain bonding with his crewmates

[asweetprologue]

this is so devastating. laois should have just shot him with a gun

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[brainrotcharacters]

wade's undiagnosed ADHD (giggling everytime Logan stabs him) is only ever matched by Logan's undiagnosed autism (stabbing Wade with his claws when he's overstimulated)

[kendyroy]

I love how we can pretty much call this Logan “Wade’s Logan”

That’s HIS man. No one else’s. That’s his little honey badger. That’s his big boy. That’s his peanut. That’s his Wolverine.

He actually adopted this guy into his family and now he’s gonna be his for the rest of their never-ending lives.

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[quadrantadvisor]

Thinking about DP x DC Jason Todd being a revenant again. Here's my scenario. Jason gets called that by some ghost. He's like "what the fuck is that supposed to mean?" He's heard the term before but he doesn't know any actual lore. He googles it. He scrolls past the Leonardo DiCaprio bear movie. He opens the wiki. Sees the words "animated corpse" and gets a chill diwn his spine. He starts reading the first section.

He closes Wikipedia.

That night he has a nightmare that his family buried him, again, this time with precautions. He wakes up in his own grave, full of stones, too heavy to move, to scream.

[datura-tea]

we'll make it out alive, alright, alright

[nibbelraz]

SVSSSAction Bingge/Yuan Prompt for Anonymous!

I went with Bingge reverse transmigrating to streamer Shen Yuan, who thinks it's some cosplayer in his home, and proceeds to comment on his 'Luo Binghe' outfit

This cosplayer sure looks gorgeous....

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[onionninjasstuff]

something something future leo dies early and mikey takes on the role of cj's main mentor. something something mikey-centric movie. idk what his arc would be abt BUT I HAVE AN ITCH THAT NEEDS TO BE SCRATCHED

[poorly-drawn-mdzs]

ghost horses

GHORSES

[ilumin]

I'm crying, they're so silly

[everchased]

at least it'll be wonderful while it lasts.

(a little post-game downtime discussion, when they have the time and space to talk about these things. also in my canon, scratch gets to stay. :/)

[baeddling]

Like ok im still mad abt that dipshit "just piss yourself to own the transphobes" post, two trans women were beaten in front of a crowd in a PRO-TRANS STATE and the attackers were cheered on, do we seriously believe that what trans women need do to get more rights is debase and prostrate ourselves in an attempt to garner, what, pity? From people dead set on ensuring we can't even take a breath without shame and harassment heaped on us? Its fucking disgusting